SEMAPHORE TREMOLO
Semaphore Tremolo Delivers classic tremolo sounds from smooth buttery coaxing of "harmonic vibrato" to hard chop "repeat percussion". But it doesn't leave you without the more nontraditional pulses, swells, blips, & surf amplitude modulation. The Semaphore doesn't color your tone, what you put into it comes out. Absolutely, no volume drop and none of the sterile digital fakeness you get from the "competition".

The Semaphore is very simple to use right out of the box. VOLUME controls the output. RATE controls the speed. DEPTH mixes the tremolo effect with the uneffected sound. The SHAPE in "TRIANGLE" mode adjusts the waveshape from swell, to triangle, to surf and everything in between. In "SQUARE" mode SHAPE adjusts the waveshape from pulse, to square, to blip and any dutycyle inbetween.

We spent well over a year planning and designing the Semaphore. Only features with clear benefits to you the player were included, everything else? Irrelevant.

Whether you're a plug 'n play vintage geek or a knob-twiddling nerd we're certain that the Semaphore will excede your expectations and demands of a tremolo. The Semaphore is everything you need and nothing you don't from a tremolo.

THE SUPERCHARGED OD
SuperCharged OD The audio equivalent of a forced induction high displacement big block make up the heart of the SCOD's "distortion powerplant". It is designed like a tube amp, fine tuned cascaded gain stages cause the distortion, not diodes. We knew we had a winner when it made our 5W 6V6 amp push air like a full stack. This pedal rocks harder than a Heart 8-track in a Hemi Cuda outside of a high school in 1978!

The tone for leads is balanced, focused, and sustains forever. Chords are chunky, tight, and resonant. Turn the GAIN and CONTOUR down for hi-wattage British sounds. Increasing the GAIN brings you into more modern saturation teritories without un-natural compression.Crank the CONTOUR knob and you tighten up the lowend adding resonance of a sealed 4x12.

The SCOD is capable of huge amounts of output and the gain can be down right METAL. Inspite of this the noise level is remarkably low. The distortion is natural without the buzzy "chopping" or "squaring" of your guitar's signal as often associated with high gain and metal pedals. This means you can play chords with your SCOD and not cause bizarre intermodulation.

Don't be surprised to find your daily 30 minute practice session lasting an hour or more with the SCOD. This pedal is truly inspiring.

SUPER CHILI PICOSO
As a clean boost the tone that goes in is exactly the tone that comes out, only LOUDER. Provides upward of 35dB of boost. The high input impedance makes the SCP the perfect buffer to keep your signal strong through long cable runs and large pedal boards. The fat boost adds more girth and growl to your sound. The SCP gives you MORE of what you have already got!

TEASER STALLION
The distortion ranges from mellow to blistering. The feedback loop thickens your tone, adds a unique texture to your sound, and even functions as a controllable synth. This pedal turns heads, offends traditionalists (and cats), but most importantly open doors to truely unique sounds and creative possibility. Not for the faint of heart, but for the rest of us this pedal is a future classic.

VARIOBOOST PROFESSIONAL
Varioboost Professional The tone scalpel. Boost or cut any frequency from 70Hz to 1400Hz. You can cut out the "mid hump" of OD's, scoop the mids of distortions, boost bass, boost treble, cut bass for radio sounds, cut treble for dark sounds, simulate out of phase pickups, coax single coil sound from humbuckers, or the opposite, cop half cocked wah tones. Much more effective than a graphic EQ because you don't have to reference a chart or book for great sounds.

SILVER KISS MK II
The Catalinbread Silver Kiss Mk. II is three pedals in one – a low to medium gain dynamic overdrive, 3-band equalizer, and clean boost all rolled into one small package.

The overdrive character is highly dynamic and amp-like – clear and detailed, with a very natural sounding note decay. Picking dynamics galore, from just breaking up grit to full on overdrive all depending on how hard you attack the strings.

The 3-band EQ is the heart of the Silver Kiss Mk. II. It has a very effective EQ curve, not just a simple cut style arrangement. The Treble control tames the brightest amps, or can add as much sparkle as you wish. The Mids control ranges from fully scooped to woody mid-rich tones. The Bass control can tighten up a loose, flubby low end or fill out the bottom end without muddying up your tone.

The Silver Kiss Mk. II can also be used as a completely clean volume booster since the overdrive can be dialed out of the circuit entirely and the EQ can be set completely flat.

All of us at Catalinbread are proud to know we've got a unique pedal in the Silver Kiss Mk. II – it offers an amazing amount of tonal flexibility in one affordable stomp box. We hope it will inspire you to go do what you do best – make music!

SERRANO PICOSO
A very simple, transparent, low noise, and extraordinarily tiny boost. Provides 30dB of clean boost. When you can't compromise your tone and need a buffer or boost that doesn't take up a lot of space the Serrano Picoso is your only real choice.

HYPERPAK DIRTY CHANNEL
Inspired by watching the Leeds DVD too many times in a row. I wanted to make a pedal that responded to dynamics, sounds giant, and cleans up amazingly well with your instrument's volume knobs. The perfect pedal for all of your amps without a dirty channel, hence the name. Also makes a great pedal to stack with your other boxes.

V8 FUZZ TONE GENERATOR
First things first don't just turn the knobs all the way up! This pedal has an insane amount of output and when you crank the fuzz knob past Noon you've kicked in it's evil alter ego. Pitch following subharmonics, oscillations, and functions that we at Catalinbread haven't even fully explored. At Noon and under you're fuzz tone will be gorgeous unsputtery easy like Sunday morning.